Visual takeaways from Obama’s new doc

#teamrhetoric  @TPM has a nice piece on the Five Big Takeaways from Obama’s Documentary. I would add this about the visual choices: The framing of Obama as the lone man in the Oval Office, making all the decisions, is the visual touchstone of the narrative. Makes sense when Repubs always want to portray Obama as weak, but it also echoes LBJ’s 1964 “Our President” ad, a much more explicit framing of the president-as-lonely-and-prudent-decider. With heavy reliance on still photographs from Pete Souza, including moments when they drop color to heighten the drama, the film is crammed with shots of Obama worrying, listening, thinking, pondering, all by himself. The loneliest job in America.

Voices of Democracy on JFK’s inaugural address. Rhetoric geeks, if you haven’t explored VOD yet, do it now! Great resources, especially for teaching. #JFK@50 #teamrhetoric

Voices of Democracy on JFK’s inaugural address. Rhetoric geeks, if you haven’t explored VOD yet, do it now! Great resources, especially for teaching. #JFK@50 #teamrhetoric

Rhetoric scholars comment on rhetoric, violence, and national eulogy in wake of AZ shootings

Jennifer Mercieca of Texas A&M explains role of metaphor in political language.

Ed Schiappa of the University of Minnesota is asked whether violent talk leads to violence.

Tom Benson of Penn State and Richard Vatz of Towson emphasize the importance of civility.

Columbia Journalism Review asks Baylor’s Martin Medhurst whether political rhetoric is more extreme than it used to be.

[updated 1.12.11]: Minnesota’s Karlyn Campbell comments on the role of the national eulogy in presidential rhetoric.

[updated 1.13.11]: John Murphy of the University of Illinois (aka the Oratorical Animal) offers a complete reading of Obama’s memorial service speech at the Brittanica Blog

[updated 1.16.11]: Chris Lundberg of North Carolina tells NPR that he cringes at requests to “tone down the rhetoric.”

Visual takeaways from Obama’s new doc

#teamrhetoric  @TPM has a nice piece on the Five Big Takeaways from Obama’s Documentary. I would add this about the visual choices: The framing of Obama as the lone man in the Oval Office, making all the decisions, is the visual touchstone of the narrative. Makes sense when Repubs always want to portray Obama as weak, but it also echoes LBJ’s 1964 “Our President” ad, a much more explicit framing of the president-as-lonely-and-prudent-decider. With heavy reliance on still photographs from Pete Souza, including moments when they drop color to heighten the drama, the film is crammed with shots of Obama worrying, listening, thinking, pondering, all by himself. The loneliest job in America.

Voices of Democracy on JFK’s inaugural address. Rhetoric geeks, if you haven’t explored VOD yet, do it now! Great resources, especially for teaching. #JFK@50 #teamrhetoric

Voices of Democracy on JFK’s inaugural address. Rhetoric geeks, if you haven’t explored VOD yet, do it now! Great resources, especially for teaching. #JFK@50 #teamrhetoric

Rhetoric scholars comment on rhetoric, violence, and national eulogy in wake of AZ shootings

Jennifer Mercieca of Texas A&M explains role of metaphor in political language.

Ed Schiappa of the University of Minnesota is asked whether violent talk leads to violence.

Tom Benson of Penn State and Richard Vatz of Towson emphasize the importance of civility.

Columbia Journalism Review asks Baylor’s Martin Medhurst whether political rhetoric is more extreme than it used to be.

[updated 1.12.11]: Minnesota’s Karlyn Campbell comments on the role of the national eulogy in presidential rhetoric.

[updated 1.13.11]: John Murphy of the University of Illinois (aka the Oratorical Animal) offers a complete reading of Obama’s memorial service speech at the Brittanica Blog

[updated 1.16.11]: Chris Lundberg of North Carolina tells NPR that he cringes at requests to “tone down the rhetoric.”

Visual takeaways from Obama’s new doc
Rhetoric scholars comment on rhetoric, violence, and national eulogy in wake of AZ shootings

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Visual Politics: All things visual in public life. Presented by Cara Finnegan, scholar, teacher, rhetoric geek. Lover of photography, art, print culture, politics, and troublemakers.

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